Remove colour attributes from body and strip most of the font tags out
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362 changed files with 1632 additions and 1706 deletions
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@ -24,7 +24,7 @@
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<!--CHAPTER=49//-->
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<!--PAGES=929-930//-->
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<!--UNASSIGNED1//-->
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<!--UNASSIGNED2//--></HEAD><BODY LINK=#0000FF ALINK=#000099 VLINK=#0000FF BGCOLOR=#FFFFFF>
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<!--UNASSIGNED2//--></HEAD><body>
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<CENTER>
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<TABLE BORDER>
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@ -91,7 +91,7 @@ _ShowPage endp
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end
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</PRE>
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<!-- END CODE //-->
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<H3><A NAME="Heading8"></A><FONT COLOR="#000077">Works Fast, Looks Great</FONT></H3>
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<H3><A NAME="Heading8"></A>Works Fast, Looks Great</H3>
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<P>We now end our exploration of Mode X, although we’ll use it again shortly for 3-D animation. Mode X admittedly has its complexities; that’s why I’ve provided a broad and flexible primitive set. Still, so what if it <I>is</I> complex? Take a look at Listing 49.5 in action. That sort of colorful, high-performance animation is worth jumping through a few hoops for; drawing 20, or even 10, fair-sized objects at a rate of 60 Hz, with no flicker, interference, or fringe, is no mean accomplishment, even on a 386.</P>
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<P>There’s much more we could do with animation in general and with Mode X in particular, but it’s time to move on to new challenges. In closing, I’d like to point out that all of the VGA’s hardware features, including the built-in AND, OR, and XOR functions, are available in Mode X, just as they are in the standard VGA modes. If you understand the VGA’s hardware in mode 12H, try applying that knowledge to Mode X; you might be surprised at what you find you can do.</P><P><BR></P>
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<CENTER>
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@ -106,7 +106,7 @@ _ShowPage endp
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<hr width="90%" size="1" noshade>
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<div align="center">
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<font face="Verdana,sans-serif" size="1">Graphics Programming Black Book © 2001 Michael Abrash</font>
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Graphics Programming Black Book © 2001 Michael Abrash
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</div>
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<!-- all of the reference materials (books) have the footer and subfoot reveresed -->
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<!-- reference_subfoot = footer -->
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